In 2015, marriage brought me to Japan, a new chapter in my life. I found myself in Shizuoka, stepping into the world of Mizutori Kogyo Co., Ltd., a geta workshop, my wife's family business. This workshop that has been a traditional local industry in Shizuoka boasts an 88-year history.

To be honest, before coming to Japan, my knowledge of geta was quite limited. However, Mizutori geta were unlike anything I expected.

These evolved geta perfectly combine the warmth of traditional wooden footwear passed down for generations, innovative design that resonates with modern sensibilities, and above all, an incredibly comfortable fit.

The first time I slipped my feet into a pair of Mizutori geta, it was an astonishing experience – my feet felt gently embraced. Combined with their refined and beautiful design, it awakened a deep interest and curiosity within me for Japanese craftsmanship.

After studying Japanese diligently and acquiring a certain level of conversational ability, I joined Mizutori Geta Workshop as a sales representative. Traveling to artisan exhibitions across Japan, I was captivated by the profound depth of Japanese craftsmanship thriving in various regions.

From delicate painted ceramics to intricately woven textiles and exquisitely crafted woodwork, the diverse creations born from the hands of artisans were breathtakingly beautiful, each telling a story of Japan's culture and rich history.

What particularly impressed me was the sincere dedication to work exhibited by artisans running small, family-operated workshops. They relentlessly pursued perfection, never compromising, and maintaining an unwavering commitment to detail in every aspect of their products.
I became convinced that this unwavering passion is the very foundation supporting the globally recognized quality of 'Made in Japan.'

Furthermore, I believe that this artisan spirit, found even in the smallest town factories, elevates the overall value of Japan as a nation. The products crafted by Japanese artisans offer not only functional convenience for daily life, but also a sense of joy in ownership and a beauty that enriches the heart with every use, adding vibrant color to people's lives.

Having previously worked as an industrial engineer in the United States, primarily focused on technical aspects, the world of Japanese MONODUKURI – handcrafting with meticulous care – was entirely uncharted territory for me.

Witnessing the skilled techniques and soul poured into every step, from material selection to intricate processes and final completion, I was deeply moved by this refined craftsmanship.
It made me profoundly contemplate the true meaning of work, technology, and the dedication one can have to a pursuit.

Currently, in addition to the family business of selling geta, I also work as a tour director for European and American tourists.
Engaging in the tourism industry allows me to directly share the allure of Japanese traditional crafts with people from around the world, a role that fills me with immense pride and purpose.

Overseas visitors are deeply moved when they experience the beauty born from Japanese artisan techniques and the spirit imbued within them.

Seeing their reactions reinforces the importance of conveying the wonders of Japanese MONODUKURI to a global audience.

However, the world of Japanese traditional crafts faces a severe shortage of successors, jeopardizing its future survival.

As master artisans with years of honed skills rapidly age, the younger generation is not stepping up to take their place. I have a strong concern that if this continues, invaluable techniques and cultural heritage, cultivated over many years, will be lost in the near future.

The disappearance of Japanese craftsmanship and tradition would be a significant loss not only for Japanese culture but also an immeasurable loss from the perspective of global cultural diversity.

My heartfelt hope is that younger generations will rediscover the true value of Japanese craftsmanship and the artisan spirit at its core, and with pride, inherit this magnificent tradition, connecting it to the future.

Looking at it from a broader perspective, perhaps it's not limited to just Japanese people; it could be anyone from any country who is moved by Japanese traditional crafts and understands their importance.

What's important is to keep alive the Japanese spirit of craftsmanship. And I think it's also important to embrace the necessary changes and evolution in order to carry this core spirit into the future.
Japanese MONODUKURI is deeply imbued with culture cultivated throughout a long history and the unwavering spirit of its artisans.
I strongly and earnestly hope that the next generation will firmly grasp this precious baton and ensure that this world-renowned, magnificent Japanese cultural heritage continues for eternity.