Latest Articles
Latest Articles
Seeking the Artisans
From Music to the Path of Pottery: The Easygoing Craftsmanship of the Enokidagama Mashiko Ware Couple
Tomo and Wakaba Enokida, the fifth-generation heads of the Mashiko ware kiln, Enokidagama, continue a rich tradition while crafting pottery that reflects their unique artistic sensibilities. This article delves into their journey from music to ceramics and their approach to craftsmanship, one that is rooted in the *Mingei* philosophy and the rhythms of everyday life.
Seeking the Artisans
A Kiln Dedicated to Handcrafted Pottery that Blends Into Daily Life: Kasama Ware's Kouzangama
Koji Masubuchi of Kouzangama has built a kiln that balances handcrafted pottery with large-volume orders, all while respecting the individuality of each artisan. While inheriting tradition, he continues to explore new possibilities for Kasama ware, such as developing the thin and light "Helka Ceramica."
Seeking the Artisans
Breaking From Tradition: How 400-Year-Old Asahiyaki Is Crafting a Future in Scandinavia with Tableware That Grows with Its User
Toshiyuki Matsubayashi of Asahiyaki has developed 'osaa,' a new tableware collection, in collaboration with a Scandinavian design studio and several restaurants. This piece explores how they are extending Asahiyaki's philosophy—tableware that evolves with its user—beyond the realm of traditional tea ware and onto the modern dining table.
Crossing Perspectives
Along the Silk Road to the Shōsōin: A Journey of Sheep and Felt（Jorie Johnson）
Based in Kyoto, Jorie Johnson creates wool felt works while also participating in the research and reconstruction of the Shosoin Kasen felts. Through the study of Silk Road felt traditions and collaborations with materials such as leather, lacquer, and plants, she continues to expand the expressive possibilities of wool.
Seeking the Artisans
Rekindling the Flame in a Fading Pottery Town—The Resolve of Manabu Kondo of Ohori Soma Ware
After evacuating due to the Great East Japan Earthquake, Manabu Kondo, the 9th-generation head of the Tokichiro-gama kiln of Ohori Soma Ware, returned to the Ohori district in Namie Town, Fukushima, in 2023 to open a new kiln. While dedicated to upholding tradition, he is striving to revive the pottery town and bring back the landscape of craftsmanship.
Japanese Craft Glossary
Decoding Oshima Tsumugi Design: The Aesthetic of Traditional Patterns and Colors, Symbolizing Nature with 'Dots'.
This article explores the iconic patterns of Oshima Tsumugi, like the Tatsugo, Akina-bara, and Kikkou designs, along with the unique colors created by its mud-dyeing process. It delves into the creative philosophy of expressing nature and life through the tiny dots of kasuri weaving, highlighting the appeal of Oshima Tsumugi's designs as they evolve from deep-rooted tradition into contemporary masterpieces.
Seeking the Artisans
ARIAKE: The Saga-Born Furniture Brand Forged by Designers and Artisans Living and Working Together
Kengo Kabashima of Legnatec Co., Ltd. shares the story of how the furniture brand "ARIAKE" was launched from a retreat-style workshop with international designers. Thanks to a unique development system where artisans and designers collaborate on prototypes, the brand has now grown to be sold in over 20 countries worldwide.
Japanese Craft Glossary
The Design Theory of Yuki Tsumugi: The Aesthetics of Patterns and Colors Embodying 'Iki' and 'Shibumi'
This article explores how the unique Japanese aesthetics of 'iki' and 'shibumi' have been shaped through the patterns and colors of Yuki Tsumugi. We trace the evolution from kikkō (tortoiseshell) patterns and stripes to traditional colors and contemporary plain expressions, introducing a design philosophy inspired by the 'art of subtraction'.
Seeking the Artisans
Bringing a Dyeing Tradition for Bountiful Catches Into the Modern Era—The Challenge of Suzusen's Fourth-Generation Kamogawa Maiwai Artisan
“Maiwai,” passed down in Kamogawa, Chiba, originated as celebratory garments worn by fishermen to mark large catches. Riki Suzuki, the fourth-generation head of Suzusen, inherited the family business after experiences abroad and is bringing Maiwai rooted in Boso fishing culture into the present day.
Crossing Perspectives
The Perspective of a Swedish Bonsai Pottery Craftsman Who Lives in Harmony with Trees（Thor Holvila）
Thor Holvila, a ceramic artist from Sweden, creates bonsai pots that merge Nordic perspectives on nature with Japanese bonsai culture. Through his training in Tokoname, he gained a deeper understanding of the essence of bonsai pots and continues to work internationally while pursuing expressions rooted in his own cultural background.
Crossing Perspectives
Antique Kimono Re-created──Extending Time Through Art （Lena Okamoto）
“ikasu” is a textile art project that reconstructs vintage kimono that have fulfilled their role, transforming them into art that continues to exist beyond time. By translating the memories, craftsmanship, and stories embedded within kimono into contemporary spaces, the project creates works intended to be passed down to future generations.
![Without These Shears, I Can't Work — What Bonsai Master Masashi Hirao Calls His Partner [Part 1]](https://images.microcms-assets.io/assets/1775a3633c8b428d9f011c6a758a8a5c/7b78ef6c844c43f8a23fe7287b67fa41/Rectangle%201637-3.png?w=430&fm=webp&dpr=2)
Their Beloved Things
Without These Shears, I Can't Work — What Bonsai Master Masashi Hirao Calls His Partner [Part 1]
Masashi Hirao is a bonsai master. But for him, bonsai are not static, finished pieces to be admired from afar.
Crossing Perspectives
What Is a Bonsai Craftsman — A Journey Inspired by the Japanese Art of Bonsai（Bjorn L Bjorholm）
My Introduction to Bonsai, Which Began with a MovieI first began my journey into the art of bonsai at the age of 13 when I received my very first tree from my parents as a birthday gift.
The Outline of Crafts
Mastering Iron with Wisdom and Instinct: The Four Core Technologies Behind Nambu Ironware's Value
The dignified presence and lasting durability of Nambu ironware aren't achieved overnight.
The Outline of Crafts
The Soul of Mizuhiki: An Artisan's Mind and Skill in Weaving Diverse Shapes From a Single Cord
Mizuhiki is a traditional Japanese craft, well-known as the decorative art form on celebratory envelopes and engagement gifts.
Seeking the Artisans
Honoring Tradition, Breaking the Mold: The Path of the 8th-Generation Master of Kurobane Aizome Konya
In the Kurobane district of Otawara City, Tochigi Prefecture, you'll find the indigo dyeing workshop Kurobane Aizome Konya, a business that has continued since the Edo period.
The Outline of Crafts
Tradition, Mass Production, and the Future: A Deep Dive Into the Technology Shaping Hasami Ware
Have you ever wondered just how much wisdom and technology goes into a single piece of pottery before it reaches your dining table? The Hasami ware we casually use every day is backed by a rich tapestry of techniques, cultivated and perfected over a 400-year history.
Their Beloved Things
Holding This Knife Gets Me in the Zone—Masahiro Kasahara of Sanpi Ryoron on What Makes a 'Partner'
For Masahiro Kasahara, a chef's knife is more than just a kitchen tool.
Seeking the Artisans
Rediscovering the Lost Scenery of a Dyeing Town: Edo Sarasa at Some No Sato Ochiai
Nestled by the Myoshoji River in Tokyo's Ochiai, Shinjuku Ward, is Some no Sato Ochiai, a general incorporated association dedicated to preserving the traditional dyeing arts of Edo Sarasa and Edo Komon.
Seeking the Artisans
Carrying the Light of Prayer Into the Next Generation: Yame Lanterns and Shiraki Kougei
Yame Chochin (lanterns) are a traditional craft passed down through generations in Yame City, Fukuoka Prefecture.
Seeking the Artisans
The Captivating Kyusu Teapots of Third-Generation Master Suigetsu Shimizu: Yokkaichi Banko-Yaki From Suigetsu Pottery
The origins of Banko-yaki are quite chic. In the 18th century, Rozan Nunami, a wealthy merchant from Kuwana (Mie Prefecture), was so driven by his passion for tea that he opened his own kiln.
The Outline of Crafts
Are You Sharpening Your Knives Wrong? A Tosa Artisan Unveils the Truth Behind 'Free Forging' and a Perfect Edge
During a visit to a workshop in Kochi Prefecture, an artisan confided in me with a quiet yet firm conviction, "The way most people sharpen their knives is actually damaging the blade.
Seeking the Artisans
The Creative Spirit of "Never Imitating Others," Passed Down Through Chubuki Glass Studio Niji
"Yachimun no Sato" in Yomitan Village, Okinawa, is a celebrated hub for local crafts.
Seeking the Artisans
Amidst Shifting Traditions: Ikutouen, an Okinawan Yachimun Pottery Studio, Envisions the "Tsuboya Landscape"
Ikutouen, a Tsuboya-yaki kiln in Tsuboya, Naha City, has continued yachimun pottery for over 300 years. Wakana Takaesu, the sixth-generation successor, is developing systems that connect production, sales, and experiences while carrying forward the “scenery of Tsuboya” to the next generation.
Seeking the Artisans
A Form of Prayer Born From a Harsh Climate: The Wish Within the "Miharu-Koma"
In Koriyama City, Fukushima Prefecture, lies "Deko Yashiki," a village of artisans that has thrived since the Edo period.
Seeking the Artisans
Kusitome Shoten: The Craftsman's Magic in Every Tooth of a Traditional Boxwood Comb
How many people have actually combed their hair with a handmade boxwood comb? Chances are, most have never even held one.
Crossing Perspectives
Mitsutsuna, the First Non-Japanese Swordsmith: The Passion Poured Into a Single Blade (Johan Leutwiler)
The Impact of a Japanese Sword, Seen Through the Eyes of a CraftsmanWhen I was 17 and traveling in France, I came across a Japanese sword at an exhibition in a department store.
Seeking the Artisans
The Nakamine Sanshin Shop: Crafting the Sanshin's "Measurable" Tone and a Sustainable Future
In Asato, Naha City, Okinawa, sits the Nakamine Shamisen-ten, now celebrating 65 years in business.
Seeking the Artisans
The Future of Ryukyu Lacquerware Envisioned by Kakuman Shikki: Layering the Island's Spirit with Digital Technology and Handicraft
In Shuri Yamagawa-cho, Naha City, Okinawa—a land that still echoes the days of the Ryukyu Kingdom—you'll find Kakuman Shikki, a venerable Ryukyu lacquerware establishment with a history spanning over 120 years.
Seeking the Artisans
Marumasa Orimono's Third-Generation Head on a Mission to Redefine Ryukyu Kasuri ── Craft as an 'Industry'
Welcome to Haebaru, a town in Okinawa Prefecture right next to Naha City.
The Outline of Crafts
From Ritual Symbol to Self-Expression Tool: Tracing the Evolving Role of Iyo Mizuhiki
The red and white cords on a gift envelope, or perhaps a stunning set of engagement gifts.
Seeking the Artisans
Choosing the "Job" of a Traditional Craft Master—Yusuke Yamamoto, Third-Generation Koshu Inden Artisan
Kofu, Yamanashi, a city that once prospered as a post town on the Koshu Kaido highway.
The Outline of Crafts
Why Do People 'Nurture' Their Iron Kettles? Nambutekki and the Modern Art of Mindful Living
I remember when I was young, a heavy, black iron kettle sat in the corner of my grandmother's dimly lit kitchen.
Living Beside Tradition
A Long, Steady Flame: A Wife's Work to Keep the Business Burning
Shoko Omori supports Omori Warosokuya by managing customer service, inventory, the online store, and international shipping, allowing her artisan husband to focus on production. Following the COVID-19 pandemic, the couple reconsidered the business and now emphasize delivering warosoku to people who understand and actively use them.
The Future Map of Crafts
Why Fourth-Generation Printer Nobuto Ogawa Is Reviving a Faltering Craft Cycle
The Sekioka Mokuhanga Kobo workshop continues a lineage of woodblock printers that stretches back to the Edo period.
The Outline of Crafts
From Edo Vessels to a Lifestyle Icon: Tracing the 400-Year Evolution of Hasami Ware's Role in Japanese Life
Whenever I choose tableware for my home, I picture how its shape and color will blend into my daily life.
Seeking the Artisans
To Keep Creating Is To Preserve: Eifu Kawamata of Okeei, Tokyo's Last Cooper
Once, Tokyo was home to countless coopers. Today, however, only one person carries on the technique.
Seeking the Artisans
Brewing in Harmony with Dogo: Minakuchi Shuzo
With over 130 years of history, Minakuchi Shuzo has been brewing sake in the heart of Dogo Onsen, one of Japan's most famous tourist destinations.
Seeking the Artisans
Printing Edo's *Iki* with a Modern Touch: The 7th-Generation Challenge at Sekioka Woodblock Print Studio
Sekioka Woodblock Print Studio carries on a traditional woodblock printing lineage dating back to the Edo period.
Seeking the Artisans
An Artisan Couple's Custom-Made Hina Dolls at Kato Doll: The East-West Blend of Nagoya Sekku Kazari
Moriyama Ward, a long district stretching across northeastern Nagoya.
Seeking the Artisans
Ishimizu Sculpture Workshop: 200 Years of Carving the Pride of Saijo Danjiri
Saijo City, Ehime Prefecture. Every October, the entire city buzzes with excitement for its autumn festival, where "danjiri" floats take center stage.
The Outline of Crafts
Echizen Washi: A Journey From Ancient Records to a Material of the Future
Take a look around, and you'll find that paper is everywhere.
Seeking the Artisans
Two Years and Thousands of Layers in a Single Gem: Doi Pearl on the Art of Pearl Farming
When you look at a finished pearl, you see a serene and beautiful object.
Seeking the Artisans
The New Rhythm of Tobe Ware: Washo-Gama's Étude-Patterned Vessels
Amid the traditional imagery of Tobe ware, one finds vessels adorned with strikingly free-flowing lines.
Crossing Perspectives
Resisting Erasure - When Form and Dye Meet in Textiles（Hannah Waldron）
Handwoven textiles embody a unique intersection of material and imagination. Hannah Waldron experienced Japanese crafts such as kasuri weaving and tsutsugaki, focusing on their dyeing and resist processes. These crafts rely on natural materials and labor-intensive processes developed through dedicated craftsmanship.
Seeking the Artisans
The Art and Evolution of Tama-Ori: How Sawai Orimono Is Weaving Beyond Boundaries
Hachioji, a city in Tokyo once celebrated as the "City of Mulberry," has a rich history of prosperity built on sericulture and weaving.
The Outline of Crafts
A Brilliance That Brightens Our Lives: The Evolving Role and Modern-Day Value of Edo Kiriko
It happened the other day when I was offered a glass of cold tea at a friend's house.
A Century of Craft, A Master's Voice
Part 3 (Final): Challenge and Succession—A Message From Contemporary Master Craftsman Hiroshi Hatakeyama to the Next Generation
Hiroshi Hatakeyama, a Tokyo Shippo artisan, continues creating original works while adapting to industry changes caused by declining demand and expanding overseas production. Through passing his skills on to his daughter and pursuing new forms of expression, he is working to sustain the future of Tokyo Shippo.
The Outline of Crafts
From the Mountains to the Table and the Great Outdoors: A Look at the Evolution of Japanese Lifestyles Through Tosa Forged Blades
Recently, while camping with a friend, I watched as he expertly split firewood.
Seeking the Artisans
Nao Tesuki Washi: 300 Years of Papermaking Culture Sustained by the Kaji Tree
Nestled in the mountainous Nao district of Saga Prefecture, Nao Tesuki Washi is a craft that has been passed down for approximately 330 years.
The Outline of Crafts
Daily Use Is the Best Care! Debunking Misconceptions About Lacquerware and How to Spot the Real Thing
This article examines common misconceptions about lacquerware and explains its advantages, especially in winter. Thanks to the insulating properties of wood and lacquer, it stays comfortable to hold while keeping contents warm.
A Century of Craft, A Master's Voice
Part 2: The Quest for Color and Firing—Contemporary Master Craftsman Hiroshi Hatakeyama on the Profound World of Tokyo Shippo
Tokyo Shippo (cloisonné) artisan Hiroshi Hatakeyama, honored as a Contemporary Master Craftsman, speaks about his pride in creating practical works that support everyday life. Through his pursuit of pure white coloration and his original Plique-à-jour techniques, he continues to expand the possibilities of Tokyo Shippo (cloisonné)
Seeking the Artisans
120 Years of Craftsmanship: The Challenge of Isami and Gyoda Tabi to Bring a Modern Japanese Aesthetic to the World
ISAMI Corporation has been producing tabi in Gyoda City, Saitama for 120 years. As a major production area, Gyoda still preserves artisans’ skills and history. Building on tradition, the company is now taking on the challenge of redefining tabi beyond traditional wear and promoting modern Japanese style globally.
Japanese Craft Glossary
What Made This Land So Special? The Iwate Terroir That Gave Birth to Nambu Ironware
A single craft can be passed down in a specific region for hundreds of years. There must be clear reasons beyond coincidence. This article examines the relationship between the climate of Iwate and Nambu ironware.
Seeking the Artisans
Fukui Yougasa's Quest for "The World's Most Considerate Umbrella"
Once home to over 860 umbrella makers across Fukui and Ishikawa, the industry has declined to a single production base, Fukui Yōgasa, which continues research and development to create a new umbrella culture rather than simply preserve the industry.
Seeking the Artisans
Living 'Fueki Ryuko': The Present State of Nisshin Kikinzoku, Inheritors of a 400-Year Edo Silversmithing Legacy
Located in Iriya, Taito-ku, Tokyo, Nisshin Kikinzoku is a workshop producing Tokyo silverware rooted in the philosophy of timelessness and functional beauty. As part of the Hirata school of silversmiths serving the Edo shogunate, it has inherited techniques for 400 years. While preserving core traditions, it continues to explore new values.
A Century of Craft, A Master's Voice
Part 1: A Path to Tokyo Shippo Paved by Playtime—The Origin of 'Contemporary Master Craftsman' Hiroshi Hatakeyama
Hiroshi Hatakeyama, a Tokyo Shippo artisan, reflects on his journey from a childhood spent playing outdoors to choosing a career in the family cloisonné enamel business. The beauty of the colors revealed after firing and encouragement from his father became the foundation of the path that led him to be recognized as a Master Contemporary Craftsman.
Crossing Perspectives
Bridging East and West: The Story Behind the Design of ‘Oku'（Kathleen Reilly）
Kathleen Reilly, a Scottish metalworker, explores the fusion of Japanese craftsmanship and Western conceptual design. Through her experience in Tsubame-Sanjo, she developed the knife “Oku” in collaboration with local artisans, gaining international recognition. She also works on projects that connect cultures between the UK and Japan.
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Seeking the Artisans
The Dedication Embodied in a 40-Piece Set: Nakajima Seikichi Shoten's Enduring Craft of Shogi Pieces
Nakajima Seikichi Shoten is a long-established maker of shogi pieces, emphasizing careful material selection, natural drying, and specialized craftsmanship. The company shifted from mass production to quality-focused production, pursuing consistency across each set of 40 pieces. While facing challenges such as material shortages and a lack of craftsmen, it continues efforts to sustain shogi culture and craftsmanship.
Seeking the Artisans
Forging a New Frontier in Kamakurabori: Bridging Tradition and Modernity Through 'Silent Dialogue'
Kyukei Goto, head of Goto Kyukei Kamakurabori Gallery and a 29th-generation descendant of the Buddhist sculptor Unkei, lost his father and master at the age of 20. The article traces how he developed his own style and creates works suited to modern life through silent dialogue with pieces left by previous generations.
Japanese Craft Glossary
Why Hirosaki? How Tsugaru-Nuri's Durability and Splendor Were Born From a Snow Country's Climate and History
Tsugaru-nuri developed through the combination of harsh natural conditions, the history of Hirosaki as a castle town, and local cultural values. Emphasis on durability, domain-led industrial support, integrated production, and the use of regional materials have shaped its unique characteristics.
Seeking the Artisans
Passing Down 400 Years of Skill to the Future: Kiyohara Orimono on the True Worth and Evolution of "Tsuzure-Ori" Weaving
Kiyohara Orimono has preserved the advanced hand-weaving technique of tsuzure for over 400 years. Its work ranges from imperial offerings and culturally significant festival textiles to contemporary art and collaborations with global brands, continuing to expand across eras.
Japanese Craft Glossary
Why Did Pottery Flourish Here? Uncovering the Secrets of a Kiln Site Nurtured by Lake Memories and Culture
Shigaraki ware developed due to high-quality clay from the ancient Lake Biwa layer, abundant forest resources, and its strategic location for transportation. Its aesthetics and craftsmanship were shaped through tea culture, climate conditions, and the accumulation of skilled artisans and techniques.
Living Beside Tradition
From Tokyo to Chichibu: Becoming an Artisan's Wife While Raising Four Children and My Role at Arakei Textile
Sonoe Arai of Shinkei Orimono moved from Tokyo to Chichibu when her husband succeeded the family business, balancing the raising of four children with supporting the production of Chichibu Meisen. While handling public relations, sales, and craftsmanship, she has gradually found her own role in preserving and passing on the traditional textile craft.
Seeking the Artisans
"Lacquer Is Like a Child": The Philosophy Behind the "Living" Art of Edo Lacquerware, a World Away From Chemical Paints.
“Urushigei Nakajima” continues the tradition of Edo lacquerware in Tokyo. Yasuhide Nakajima, the 11th-generation head and a certified master craftsman, has worked with lacquer for 60 years. The article explains why he insists on using natural lacquer despite the dominance of synthetic coatings and highlights his craftsmanship.
Japanese Craft Glossary
The Inevitable Legacy of Echizen Washi: A 1,500-Year Tale Woven by Clear Streams and Faith
Echizen City, located in central Fukui Prefecture, has produced handmade washi paper for about 1,500 years. Its exceptional quality and diversity are not solely the result of craftsmanship.
Seeking the Artisans
Carrying Mino Washi Into the Next Millennium—Marujyu Paper Mill's Challenge of "Updating Tradition"
Mino washi has a history of 1,300 years, and a craftsman is working toward its future. Koichi Tsuji, the third-generation leader of Marujyu Paper Manufacturing Cooperative in Mino City, has taken over his grandfather’s factory and is rebuilding the washi industry.
Seeking the Artisans
The Three-Generation Philosophy of Tsumami Kanzashi: Ishida Shoten's Guardianship of Tradition and a Fragment of Beauty
Tsumami kanzashi is a traditional Japanese craft dating back to the Edo period. In a workshop in Takadanobaba, Tokyo, these ornaments are still created from small pieces of silk. The article follows Tsuyoshi Ishida, third-generation owner of Ishida Shoten, and his approach to preserving and evolving the craft.
Japanese Craft Glossary
Why Did It Flourish Here? The 'Geographic Imperative' Behind 400 Years of Hasami Ware's Prosperity
Hasami Town in Nagasaki Prefecture is a major production area of Hasami ware, widely used in daily tableware in Japan. The town has sustained this industry for over 400 years due to its geographical advantages and the unique culture developed by its people.
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Seeking the Artisans
From Paper to Prayers: The Handiwork of a Takasaki Daruma Artisan
In Takasaki, Gunma, known for producing 80% of Japan’s lucky daruma dolls, a craftsman creates forms of wishes by instilling prayers into paper.
A Century of Craft, A Master's Voice
Part 5 (Final): Living National Treasure Akihiro Maeta Reflects on the Traditional Craft of White Porcelain
White porcelain is described as an art form that does not allow superficial techniques, and Akihiro Maeta was designated a Living National Treasure through his work. The article covers his reflections after receiving this recognition, his support for younger artisans through a craft village initiative, and his views on the future of traditional crafts.
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Japanese Craft Glossary
The Brilliance Born From the Soil of Edo: Why Edo Kiriko Flourished in Tokyo
Living in Tokyo, it is easy to overlook the city’s historical character amid daily life. Exploring why Edo Kiriko was born and developed in Edo reveals how the city’s culture and environment shaped this craft.
Crossing Perspectives
Sensations in Stillness—Encountering Japanese Beauty（Trees De Mits）
This article introduces Belgian artist Trees De Mits and her experiences in Japan. It explores how her residency in Shigaraki and exposure to Japanese literature influenced her perception of materials and aesthetics. The piece explains how themes of the body and sensory experience are reflected in her work.
Seeking the Artisans
Why Is Ehime a Major Hub for Mizuhiki? The "Three Inevitabilities" That Nurtured a Production Powerhouse
When you work in the travel industry, you can't help but notice the unbreakable bond between a place and its culture.
![[No.4]The Secret to the Expressive Techniques Only Living National Treasure Akihiro Maeta Can Create](https://images.microcms-assets.io/assets/1775a3633c8b428d9f011c6a758a8a5c/84dcf16ed8ff437894afd212539881eb/003_1.png?w=430&fm=webp&dpr=2)
A Century of Craft, A Master's Voice
[No.4]The Secret to the Expressive Techniques Only Living National Treasure Akihiro Maeta Can Create
A pure white porcelain piece won an excellence award at a major ceramics exhibition, bringing attention to Akihiro Maeta’s work. This article explores his expressive approach to white porcelain, the influence of Tottori’s natural environment, and the trial-and-error process behind his signature faceting technique.
Seeking the Artisans
Layering Colors, Weaving Time: The Edo Kiriko Expressions Championed by Nakakin Glass
Nakakin Glass Co., Ltd., located in Edogawa, Tokyo, has produced Edo glass since 1946. Its founder, Kingo Nakamura, developed the Pokan method, enabling two-layered colored glass and bringing rich color expression to Edo Kiriko, which had previously been transparent.
Japanese Craft Glossary
The Secret to Shigaraki Ware’s Charm Lies in Its "Clay": From Traditional Clay to the New Materials of the Future
The character of Shigaraki ware is rooted in clay from the ancient Lake Biwa layer, combining kibushi and gairôme clay for form and strength. New developments such as recycled ceramics and light-transmitting materials expand sustainability and expressive possibilities.
Japanese Craft Glossary
Three Reasons That Forged Tosa Hammered Blades: The Forests, Climate, and Lumberjack Legacy of Kochi
A craft takes root in a specific land and is passed down for centuries through interconnected factors. This article explores Tosa Uchihamono and examines why a strong blade-making culture has flourished in Kochi for over 400 years.
![[No.3]Living National Treasure Akihiro Maeta's Setbacks and Challenges](https://images.microcms-assets.io/assets/1775a3633c8b428d9f011c6a758a8a5c/03961cea3c8046a2a447ad09f778c6be/003_6.png?w=430&fm=webp&dpr=2)
A Century of Craft, A Master's Voice
[No.3]Living National Treasure Akihiro Maeta's Setbacks and Challenges
After completing a white porcelain jar for his graduation project, Akihiro Maeta established his studio in Tottori City but soon faced a major challenge. This third installment follows his early career as a ceramic artist and his confrontation with the harsh realities he had not realized during university.
Seeking the Artisans
Evolving to Preserve a Legacy: Bushu Shoaizome's Ishiori Shoten
Ishiori Shoten, an indigo dye workshop in Kazo City, Saitama, has continued natural fermentation dyeing since its founding in 1910. The fourth-generation owner, Shingo Ishizuka, preserves tradition while pursuing new approaches such as apparel production, expanding sales channels, and collaborations.
Japanese Craft Glossary
Iron and Lacquer: Nambu Ironware's Materials—A Tale of Local Blessings and Modern Choices
Reflecting on where everyday materials come from and their history enriches our lives. This article explores Nambu Tekki, focusing on the complex journey of iron as its core material and how it supports the craft’s enduring character.
Japanese Craft Glossary
The Materials of Tsugaru-Nuri: Unveiling the Secrets of Durable 'Aomori Hiba' and Lustrous 'Urushi' Lacquer
This article explores Tsugaru lacquerware from Aomori through the perspective of materials. It explains the role of Aomori hiba, natural lacquer techniques, challenges like shortages of domestic lacquer and artisans, and emerging possibilities through new material expressions.
![[No.2]Living National Treasure Akihiro Maeta's Encounter with White Porcelain and His Resolve as a Ceramic Artist](https://images.microcms-assets.io/assets/1775a3633c8b428d9f011c6a758a8a5c/9be6cb5e2c2f4103a66db0963eac4d1b/003_3.png?w=430&fm=webp&dpr=2)
A Century of Craft, A Master's Voice
[No.2]Living National Treasure Akihiro Maeta's Encounter with White Porcelain and His Resolve as a Ceramic Artist
Akihiro Maeta became interested in art through his father and began studying ceramics at university. He struggled with wheel-throwing but improved his skills, encountering white porcelain in his third year. Despite its difficulty, he pursued it and created a large porcelain jar as his graduation work.
Seeking the Artisans
Kyoto's Bamba Dyeing Factory Envisions "The Next 100 Years of Traditional Industry"
Bamba Dyeing Factory in Kyoto preserves kata-yuzen techniques through a division-of-labor system while expanding into original furoshiki products, overseas markets, and workshop-based experiences. Fourth-generation owner Norio Bamba focuses on building sustainable business models to keep traditional crafts viable as an industry.
Japanese Craft Glossary
Legendary Japanese Agate vs. Modern Imports: How Material Differences Fueled an Evolution in Craftsmanship and Value
In exploring Wakasa agate craft, differences in texture across periods reveal the influence of two types of agate. The shift from domestic Hokkaido agate to imported Brazilian agate changed how artisans work with materials. These differences have shaped both techniques and the value of the craft.
![[No.1] Living National Treasure Akihiro Maeta's Childhood and First Encounter with Crafts](https://images.microcms-assets.io/assets/1775a3633c8b428d9f011c6a758a8a5c/7a83a27319a04b17ab82780d24072630/003_4.png?w=430&fm=webp&dpr=2)
A Century of Craft, A Master's Voice
[No.1] Living National Treasure Akihiro Maeta's Childhood and First Encounter with Crafts
Ceramics are deeply rooted in Japanese culture, and white porcelain stands out among them. Akihiro Maeta, a Living National Treasure, is highly regarded for works that combine pure white texture with refined curved forms.
Living Beside Tradition
Captivated by Kishu Chests: The Journey of Chiaki Azuma, the First Female Traditional Craftswoman
After working in the apparel industry, Chiaki Azuma joined a Kishu Tansu workshop following her marriage and pursued a career as a craftsperson while raising children. As Japan’s first female Traditional Craftsman in this field, she promotes the value of paulownia wood and continues efforts to carry the tradition into the next generation.
Seeking the Artisans
From Yamagata to the World: The Branding Journey of 'Yamagata Dantsu' by Oriental Carpet
Oriental Carpet, known for supplying carpets to places such as the Imperial Palace and Kabuki-za Theatre, has preserved hand-weaving techniques for 90 years. Through collaborations with designers and architects, the company established the “Yamagata Dantsu” brand.
Crossing Perspectives
Beauty and Resilience in Washi — between strength and delicacy (Sarah Brayer)
Sarah Brayer is an artist who developed a unique practice after encountering washi. Working in Echizen, she explores expressions of light and water through a meditative creative process. She also created the fusuma work “Lapis Waterfalls” at Komyo-in Temple in Kyoto, integrating the artwork with the surrounding space.
Japanese Craft Glossary
Glass: A Silent Partner—The Dialogue with Materials Supporting the Radiance of Edo Kiriko
This article focuses on the role of materials behind the beauty of crafts, explaining the properties of glass in Edo Kiriko. It introduces differences between soda-lime glass, crystal glass, and layered glass, and describes how artisans interact with the material through sensory-based craftsmanship.
Seeking the Artisans
Weaving 120 Years of Tradition Into the Future: Okujun's Vision for the Present and Future of Yuki-Tsumugi
Yuki Tsumugi, a silk textile produced mainly in Yuki City, Ibaraki, is known as one of Japan’s three major tsumugi. Okujun Co., Ltd. accounts for more than half of the production share in this region. The article explores the value of time-intensive craftsmanship and the meticulous handwork of artisans.
Japanese Craft Glossary
The Science Behind Echizen Washi: How Kozo, Mitsumata, and Gampi Create Unique Textures and the Future of These Raw Materials
The quality and diversity of Echizen Washi are supported by the unique characteristics of plant materials such as kozo, mitsumata, and ganpi. These materials are carefully selected depending on their intended use, shaping the texture and final finish of the paper. The article also touches on challenges in sourcing these materials and the way artisans thoughtfully engage with them.
Seeking the Artisans
Connecting Tradition and the Future: Fifth-Generation Fukutaro Azuma Forges a New Path for Paulownia Craft
“Kaguno Azuma,” based in Wakayama, is led by fifth-generation craftsman Fukutaro Azuma. While specializing in kiri tansu, he incorporates lacquer, raden, and modern technology to explore new forms of traditional craft. His work includes collaborations with brands such as genten, MARKS&WEB, Lexus, and Philip Morris.
Seeking the Artisans
Fire, Lacquer, and Yamagata Craftsmanship—Kikuchi Hojudo Upholds a 9,000-Year-Old Technique
The moment you step inside the Yamagata workshop, the atmosphere shifts.
Japanese Craft Glossary
The Secret to a Sharp Edge Lies in "Steel and Iron"! The Material Philosophy of Tosa Cutlery and the Wisdom for Its Long-Lasting Use
When picking up a tool, one may reflect not only on its function and design but also on the background of its materials. In Tosa forged blades, which have supported daily life in harsh natural environments, material selection goes beyond mere choice and forms a philosophy.
Living Beside Tradition
From Self-Taught to Metalwork Artisan: Emi Sashou's Journey of Handicraft and Family at Jewelry Sashou
“Craft work is truly fascinating,” says Emi Sashou, a metal engraving artisan at Jewelry Sashou, a workshop and shop in Koto City, Tokyo. She learned metal engraving after work while employed at a company and now supports the workshop with her husband, the third-generation successor.
Japanese Craft Glossary
Morioka and Mizusawa: The Modern Strengths of Nambu Ironware Forged From Two Origins
Nambu Tekki from Iwate has two origins: Morioka’s tradition of artistic craft and Mizusawa’s development of practical daily tools. These were unified under one brand in 1959, combining artistry and functionality. This historical integration supports its diverse product range and continued popularity today.
Seeking the Artisans
The Vivid Red and Unkin Patterns of Inuyama Ware: The Ozeki Sakujuro Pottery Continues the Legacy of Oniwa-Yaki
Inuyama Castle, one of Japan’s oldest surviving keeps, stands by the Kiso River. Inuyama ware has been produced as official kiln ware for the Naruse family, the castle’s lords. The Ozeki family has inherited the kiln since 1842, with the 7th-generation Sakujuro Ozeki Tatsushi currently leading it.
Japanese Craft Glossary
The History of Shigaraki Ware Is a Tale of Adaptation: Why Has It Been Beloved for Over 800 Years?
Shigaraki ware evokes two contrasting images: tea utensils and tanuki figurines. These reflect a history spanning over 800 years. This article traces how Shigaraki ware has adapted to changing societal needs over time.
Japanese Craft Glossary
How Long Will This Miraculous White Endure? The Blessings and Looming Crisis of Amakusa Porcelain Stone, the Lifeline of Hasami Ware
Through interviews with Hasami ware artisans, the article explores the properties of Amakusa pottery stone and the complexity of glaze development. It highlights both the material advantages supporting high-quality porcelain and the challenges in supply, such as declining mining industries and lack of successors, while examining the future of the production area.
Seeking the Artisans
Where Gold and Silver Breathe on Jet-Black Iron—Mitsusuke's Challenge to Carry on the Higo Zogan Legacy as 'a Matter of Course'
Higo Zogan from Kumamoto is a traditional craft known for its contrast of black iron and gold or silver inlay. Yuji Osumi, head of the Mitsusuke workshop and chairman of the Higo Zogan Promotion Association, carries on the tradition. He also explores new applications to expand its possibilities beyond conventional uses.
Seeking the Artisans
The Mud Dyeing that Sustains Oshima Tsumugi: The 'Living Black' Born From Amami Oshima's Mud
Mud dyeing, created through the natural environment of Amami Oshima, is a key process in Oshima Tsumugi with a history of 1,300 years. However, this traditional technique is now facing the risk of decline.
Japanese Craft Glossary
How Do Simple Paper Cords Become Art? The Secret to Mizuhiki's Strength and Flexibility
I often work with various fabrics and threads and understand how material qualities shape products. Through learning about mizuhiki, the article focuses on the potential and challenges of washi, the core material supporting this craft.
Japanese Craft Glossary
A Journey Through the History of Tsugaru-Nuri: From Its Feudal Origins to National Treasure Status
The history of Tsugaru-nuri began with industrial promotion under Tsugaru Nobumasa of the Hirosaki domain and has developed over more than 300 years through artisans’ skills and efforts. Despite hardships such as the loss of domain support and wartime decline, it recovered through events like the World Expo and the Mumeikai movement, and its techniques are now preserved as an Important Intangible Cultural Property.
Japanese Craft Glossary
Landscapes Forged in Clay and Flame: A Design Philosophy of Imperfection
Shigaraki ware is characterized by its rough clay texture and distortion. Its appeal lies in the “landscape” created through the interaction of clay and fire, reflecting Japanese aesthetics and the philosophy of functional beauty.
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Seeking the Artisans
The Soul of Amakusa Clay at Maruoyaki: A Pottery Studio's Journey with Its Community
Maruo-yaki is a kiln in Amakusa, Kumamoto, originating in the late Edo period when water jars and clay pipes were made as a side job during the farming off-season. Since then, it has adapted to changing times and now operates as a workshop open to the local community.
Seeking the Artisans
Beyond the Norms of Circular Knitting: Kanemasa Meriyasu's Ultra-High-Density Technology
Kanemasa Meriyasu Co., Ltd., based in Wakayama, has built a unique position in circular knit textiles since its founding in 1964. The company continues to pursue innovation rooted in tradition. This article features third-generation leader Kohei Hyakkendani, exploring their philosophy of unique manufacturing, technological development, and the background behind launching their factory brand.
Crossing Perspectives
From Loubignac to Tokyo（Andoche Praudel ）
Andoche Praudel, originally from France, turned to ceramics after encountering Shozo Tanida. Influenced by Japanese culture and literature, he explores Japanese aesthetics through the creation of Raku tea bowls.
Japanese Craft Glossary
Echizen Washi: A 1,500-Year Legacy Supporting Japan's Power and Culture
Echizen City in Fukui Prefecture, known for Echizen washi, preserves a legend of Kawakami Gozen who taught papermaking. By the Nara period, records such as the “Echizen no Kuni Shōzeichō” in Shōsōin show its role in supporting state administration and Buddhist culture.
Japanese Craft Glossary
The 400-Year Saga of Tosa Forged Blades: From Swords to Everyday Tools, a Story of Survival and Evolution
A single craft has survived into the present over hundreds of years. Behind this fact lies not only superior technique but also continuous responses to social changes. The author reflects on the layered history of Tosa Uchihamono after visiting a workshop in Kochi.
Seeking the Artisans
From Amami to the World: An Artisan's Quest to Weave the Future of Oshima Tsumugi
Oshima Tsumugi is known as one of the most intricate textiles in the world, with a history of 1,300 years rooted in the natural environment and lifestyle of Amami. Today, however, it faces challenges such as a shortage of successors and a shrinking market.
Japanese Craft Glossary
Tradition Is a Series of Innovations: The Transformative Story of Iyo Mizuhiki Overcoming Crisis
Iyo mizuhiki in Ehime originated from practical motoyui cords and shifted to decorative use after the Meiji Restoration eliminated demand. Through mechanization and shared technology, the region developed as a production hub, and today expands into accessories and art beyond traditional gift use.
Seeking the Artisans
The Profound World of Tokoname Kyusu: The Unique Teaware Crafted by Artisan Yohei Konishi
Tokoname, one of the Six Ancient Kilns and the largest production area, developed through its high-quality clay resources. This article introduces ceramic artist Yohei Konishi, who creates Tokoname teapots, along with his techniques and philosophy behind the craft.
Japanese Craft Glossary
A 300-Year Saga: The Trailblazing Path and Future of a Fiery Art Forged by Two Geniuses
Wakasa agate craft from Obama City, Fukui Prefecture has a history of about 300 years. It developed through the introduction of heat-treatment techniques by Kichibee Takayama in the Edo period and the carving innovations of Seisuke Nakagawa in the Meiji era. Despite challenges such as material changes and a shortage of successors, the craft continues to be preserved today.
Japanese Craft Glossary
A Brand Forged by Crisis: The 400-Year Comeback Story of Hasami Ware
Hasami ware has recently become more visible in lifestyle and select shops due to its refined yet approachable design and affordability. Although it appears modern, this brand image was established only in the past 20 years, rooted in a 400-year history shaped by crises that ultimately drove its transformation.
Japanese Craft Glossary
Memories of an Era Carved in Glass: Unraveling the History of Edo Kiriko
Edo Kiriko originated in 1834 with glass engraving by Kyubei Kagaya. It developed further in the Meiji era with the introduction of techniques by British engineer Emmanuel Hauptmann, merging with traditional Japanese patterns. Despite disasters and war, the craft has been preserved and continues today.
Seeking the Artisans
Carrying Chichibu Meisen Into the Future—The Sincere Craftsmanship of Arakei Textile
Chichibu Meisen, a silk textile proudly produced in Chichibu, Saitama Prefecture, became a beloved fashion fabric for women during the Taisho Romantic and Showa Modern eras. Woven using the hogushi resist-printing technique, it is distinguished by its bold, expressive patterns and was once immensely popular as a stylish yet casual everyday kimono fabric.
Seeking the Artisans
Dressing Tradition in Modernity: The Edo Kimekomi Innovation of Kakinuma Dolls and Their Challenge to the World
Edo Kimekomi dolls are traditional Hina dolls with a history of over 270 years. Kakinuma Ningyo has continued this craft for three generations in Koshigaya, Saitama. Toshimitsu Kakinuma expands the possibilities of Kimekomi by integrating new sensibilities and technologies.
Seeking the Artisans
Forging the Future of Oshima Tsumugi: The Determination of Shingo Minami at Yumeorinosato's All-in-One Workshop
Oshima Tsumugi, a traditional craft of Amami Oshima, is known for its intricate weaving but faces challenges such as a shortage of successors and low wages for artisans. Shingo Minami, the third-generation leader of Yumeorinosato, is addressing these issues directly.
Japanese Craft Glossary
From Cute to Classic: Exploring the 4 Patterns and Their Aesthetic Beauty
Tsugaru lacquerware is known for its deep colors and distinctive patterns. However, it encompasses multiple designs, each with its own aesthetic and historical meaning. This article explores four major techniques—Kara-nuri, Nanako-nuri, Monsha-nuri, and Nishiki-nuri—and explains their characteristics and backgrounds.
Seeking the Artisans
Breathing New Life Into Old Things—Jewelry Sashou: The Art of Chokin Connecting Memories
“Jewelry Sashou” in Fukagawa, Tokyo, is a workshop that inherits the techniques of Tokyo Chokin. It handles rare remake jewelry and repairs, attracting customers with meaningful pieces. The article explores Shinichi Sashou’s craftsmanship combining traditional and modern techniques.
Seeking the Artisans
The Roots of Calligraphy Lie in Nara: A Traditional Craftsman on the Philosophy of the Brush Tip
Nara brushes are traditional crafts with over 1,000 years of history and are considered the oldest brushes in Japan. Their existence was recorded in the Taihō Code of 701, developing alongside writing culture. This article features an interview with craftsman Matsutani at Akashiya.
Seeking the Artisans
Weaving Tradition, Braiding the Future — How Iga Kumihimo Is Breaking New Ground with Shoelaces
Kumihimo, once essential for samurai sword cords and kimono accessories, is a traditional Japanese craft dating back to the Nara period. Iga City in Mie Prefecture has long sustained this technique, and “Iga Kumihimo” is known as one of Japan’s three major braiding traditions. However, demand has declined with the shift to Western clothing, and the number of workshops has decreased from over 100 at its peak to around 18 today.
Japanese Craft Glossary
Unraveling the Japanese Aesthetic Woven Into Echizen Washi Designs
Echizen Washi, produced in Echizen, Fukui for over 1,500 years, is not only a writing material but also a medium reflecting Japanese aesthetics and views of nature. The article explores traditional concepts of beauty through its colors, patterns, and forms.
Japanese Craft Glossary
The Basics of Shigaraki Ware: More Than Just Tanuki Figurines—An 800-Year History and Diversity
Shigaraki ware is widely known for its tanuki figures, but its essence lies in over 800 years of history rooted in clay from the ancient Lake Biwa formation. Its development was supported by clay properties and location, evolving from agricultural tools to tea utensils and everyday items.
Japanese Craft Glossary
From Clay to Creation: Tracing the Production Process and the Source of Its Fiery Vitality
Shigaraki ware is made from clay of the Kobiwako formation through processes such as blending, kneading, shaping, drying, and firing. Differences in each step and firing method significantly affect the final appearance and texture.
![[No. 5 (Final Episode)]: The Future of Crafts and Hopes for the Next Generation—The Teachings of Living National Treasure Teiji Miyamoto](https://images.microcms-assets.io/assets/1775a3633c8b428d9f011c6a758a8a5c/2046ba6fe8404b47aff23e31fc75384a/002_2.png?w=430&fm=webp&dpr=2)
A Century of Craft, A Master's Voice
[No. 5 (Final Episode)]: The Future of Crafts and Hopes for the Next Generation—The Teachings of Living National Treasure Teiji Miyamoto
Living National Treasure Teiji Miyamoto discusses his philosophy of craftsmanship, views on traditional crafts, and messages to younger generations. He emphasizes engaging with materials, the importance of creating for others, gaining diverse experiences, and finding something to devote oneself to.
Seeking the Artisans
Uzan-yoh on the Present and Future of Shigaraki Ware: The Luminous 'Shigaraki Touki' and a Philosophy for Modern Times
Shigaraki-cho in Koka City, Shiga Prefecture, is known as one of Japan’s six ancient kilns, producing ceramics with a simple and robust character. Since its founding in 1939, Uzan Kiln has continued to evolve its craftsmanship, creating both large ceramic works and small items suited to modern lifestyles.
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Crossing Perspectives
The Appeal of Japanese Traditional Crafts and Techniques from a non-Japanese resident of Japan（Robert Yellin）
Robert Yellin has introduced contemporary Japanese ceramics to the world through encounters with artists across Japan. He explains their value and spirituality through regional clay, historical context, and connections to tea ceremony and Zen.
![The Craftsmanship and No-Compromise Philosophy Behind "Tsugaru Vidro" [Part 2]](https://images.microcms-assets.io/assets/1775a3633c8b428d9f011c6a758a8a5c/665919c6f8ea441599edb993bb4d33aa/DSC_2760.JPG?w=430&fm=webp&dpr=2)
Seeking the Artisans
The Craftsmanship and No-Compromise Philosophy Behind "Tsugaru Vidro" [Part 2]
Tsugaru Vidro is a craft defined by over 100 colors of glass and nine forming techniques. Artisans maintain strict control over weight and quality while working by hand to achieve consistency. A unique training system supports skill development and passes techniques and philosophy to the next generation.
![Born From the Sea, Forged Into Glass Reflecting the Seasons: The Story of 'Tsugaru Vidro' [Part 1]](https://images.microcms-assets.io/assets/1775a3633c8b428d9f011c6a758a8a5c/8700173831e74601b74047dff1e7c093/180723_074_99e6ea9d-148d-47f0-bca9-f5f3ace7fc7b.webp?w=430&fm=webp&dpr=2)
Seeking the Artisans
Born From the Sea, Forged Into Glass Reflecting the Seasons: The Story of 'Tsugaru Vidro' [Part 1]
Tsugaru Vidro is a glass craft that reflects Aomori’s four seasons like a kaleidoscope. Originating from fishing floats, it has survived two major crises to reach its current form. The article traces how artisans adapted their techniques and created new value amid changing times.
![[No.4] The Responsibility of Living National Treasure Teiji Miyamoto—Passing on Skills and the Essence of Education](https://images.microcms-assets.io/assets/1775a3633c8b428d9f011c6a758a8a5c/35443f2c53d54ec2b9ba8cebc2227cf4/002_6.png?w=430&fm=webp&dpr=2)
A Century of Craft, A Master's Voice
[No.4] The Responsibility of Living National Treasure Teiji Miyamoto—Passing on Skills and the Essence of Education
Teiji Miyamoto, a Living National Treasure, recognized the importance of passing down techniques and teaches at a university. He emphasizes thinking independently, and highlights learning through dialogue and trial and error.
Seeking the Artisans
As Light as a Feather: The "Homespun" Textiles Preserved by the Women of Iwate
Homespun in Iwate developed from traditional winter handcrafting, with British techniques introduced in the Meiji era. Founded in 1962, Michinoku Akanekai provides work for women and continues producing hand-spun, hand-woven wool textiles.
The Future Map of Crafts
Passing on a Master's Legacy to the Next Generation: The Challenge of Frame Artisan Daichi Kurihara
Daichi Kurihara of Fuji Seigaku found his vocation in picture frame making after pursuing soccer and studying fashion design. While preserving the techniques inherited from his mentor, Toshio Fukutoku, he is working to pass them on to future generations through outreach activities and the training of new artisans.
Japanese Craft Glossary
How Aomori's Traditional Craft, Tsugaru-Nuri, Is Made: The Secrets Behind the 47 Steps From Base Coat to Final Polish
Tsugaru-nuri, a traditional craft from Aomori, achieves durability and beauty through numerous labor-intensive processes known as “baka-nuri.” Its distinctive patterns are created through layered lacquer and polishing techniques developed across its production stages.
Japanese Craft Glossary
The Japanese Aesthetic in a Single Cord: The World of Mizuhiki That Makes Gifting More Meaningful
When gifts are exchanged, meaning is expressed not only through the item but also through its decoration. Mizuhiki conveys intentions and sentiments for celebrations or mourning through colors and knot forms. Color schemes like red-white or black-white, knot styles such as awaji or bow knots, and motifs like cranes and plum blossoms communicate symbolic meanings.
Seeking the Artisans
The Art of Enhancement: Craftsmanship and Beauty in Fuji Seigaku's Picture Frames
Picture frames play a supporting role in enhancing artworks. “Tokyo frames,” created through skilled craftsmanship, are designated as a traditional craft of Tokyo. Daichi Kurihara of Fuji Seigaku in Arakawa, Tokyo, is a young artisan who once aspired to be a fashion designer.
![[No.3] Independence and Trial and Error—The Birth of Living National Treasure Teiji Miyamoto's Artistic Style](https://images.microcms-assets.io/assets/1775a3633c8b428d9f011c6a758a8a5c/ab53e6ee18b04150b4e003d015e0f2c2/002_3.png?w=430&fm=webp&dpr=2)
A Century of Craft, A Master's Voice
[No.3] Independence and Trial and Error—The Birth of Living National Treasure Teiji Miyamoto's Artistic Style
After completing his apprenticeship, Teiji Miyamoto became independent but initially struggled with little work, supporting himself through part-time jobs. While gaining recognition through exhibitions, it took years to establish his own style. The article explores how inspiration from the ripples of Lake Biwa led to his distinctive expression.
Japanese Craft Glossary
Choosing an Edo Kiriko Pattern for the Recipient: The Meanings & Wishes Within the Glass's Brilliance
The article explores Edo Kiriko discovered while choosing a gift, focusing on the meanings behind its patterns. Traditional motifs such as Yarai, Nanako, Asanoha, Kikutsunagi, and Kagome symbolize wishes like prosperity, longevity, and protection.
Japanese Craft Glossary
Find Your Perfect Hasami Ware: A Design Guide for Your Daily Life
Hasami ware, often seen in online stores and shops, features diverse designs such as traditional indigo patterns, vivid colors, and simple modern forms. This article explores its design diversity and introduces perspectives for selecting pieces that match individual lifestyles and preferences.
Japanese Craft Glossary
The Story Within the Stone: Unraveling the Design Secrets of Fiery Reds and Auspicious Motifs
When encountering Wakasa agate craftsmanship, many people are first captivated by its deep, vivid red color. It has a mysterious brilliance, as if a burning flame were sealed inside the stone.
![[No.2] A 10-Year Live-In Apprenticeship—The Essence of Craftsmanship Acquired by Living National Treasure Teiji Miyamoto](https://images.microcms-assets.io/assets/1775a3633c8b428d9f011c6a758a8a5c/a1b390850480439cad2d855e4e0ac7c3/002_4.png?w=430&fm=webp&dpr=2)
A Century of Craft, A Master's Voice
[No.2] A 10-Year Live-In Apprenticeship—The Essence of Craftsmanship Acquired by Living National Treasure Teiji Miyamoto
The first installment introduced Teiji Miyamoto’s childhood and family background. This article focuses on his encounter with his mentor, Kenkichi Kuroda, and his ten-year live-in, unpaid apprenticeship. It highlights the philosophy of craftsmanship, emphasizing handwork and working in harmony with natural wood.
Seeking the Artisans
The Renaissance of Wooden Buckets: Unfastening the Hoops of Convention, Nakagawa Woodworking's Vision for the Future (Part 2)
Amid conflict with his father, a Living National Treasure, and an interest in contemporary art, Shuji Nakagawa developed the philosophy that “craft is about We.” This part highlights how that thinking led to innovations like the “konoha” wooden bucket and cross-disciplinary collaborations.
![[No.1] The Origins of Living National Treasure Teiji Miyamoto—Childhood & Family Memories](https://images.microcms-assets.io/assets/1775a3633c8b428d9f011c6a758a8a5c/e74b8c1f9538472fb6261625b2290287/002_5.png?w=430&fm=webp&dpr=2)
A Century of Craft, A Master's Voice
[No.1] The Origins of Living National Treasure Teiji Miyamoto—Childhood & Family Memories
Japan’s rich forest resources have fostered the development of woodcraft. This article features Teiji Miyamoto, certified as a Living National Treasure in 2023, focusing on his upbringing and the path that led him to pursue woodcraft.
The Future Map of Crafts
Shogo Watari: The Beauty of Curved Wood that Embodies Nature, Dialoguing with Yoshino Hinoki & the Body
Shogo Watari explores a new expression of bentwood that weaves together Yoshino hinoki, straight and curved lines, and the relationship between nature and the artificial. This article visits his Kyoto atelier to learn about his practice.
Japanese Craft Glossary
Into the Depths of Artisan Skills: The Moment a Single Piece of Steel Becomes a Cutting Tool
The article describes how a steel plate is transformed into a blade in a workshop filled with flames and hammering sounds. It explains the production process of Tosa Uchihamono, with over 400 years of history, and its key features such as integrated production and laminated structure.
Japanese Craft Glossary
Before a Single Plate Is Ready: The Silent Relay of Craftsmen Who Support Hasami Porcelain
The interview began with a single plate that felt both thin and durable. Curious about its origin, the author visited Hasami Town in Nagasaki Prefecture. There, they observed a production system where the entire town collaborates through a highly specialized division of labor.
Seeking the Artisans
Globally Acclaimed Echizen Uchihamono Blades—Ryusen Hamono Opens a New Frontier
Echizen Uchihamono, made in Echizen City, Fukui, is a traditional craft with around 700 years of history. Ryusen Hamono has inherited this technique and gained recognition domestically and internationally through its own brand. Fourth-generation leader Taiji Masutani works on blade finishing and product development.
Japanese Craft Glossary
Getting to Know the Basics of Tsugaru-Nuri: Why the Nickname 'Baka-Nuri'? Delving Into the Profound World of Aomori's Prized Lacquerware
Tsugaru-nuri, a traditional craft of Aomori Prefecture. This article explores why it is called “Tsugaru no baka-nuri” and examines its history and characteristics.
Japanese Craft Glossary
The Functional Beauty of Over 160 Steps: A Deep Dive Into the Essence of Nambutekki Craftsmanship
Workshops producing Nambu ironware handle iron exceeding 1,000°C, filled with tension and intensity. This article explores its 400-year history through both traditional handcrafted methods and modern production systems.
Seeking the Artisans
The Kioke Renaissance: The Alluring Designs of Nakagawa Mokkougei, Part 1
The technique of wooden bucket making is said to have been introduced from the continent about 700 years ago. At Nakagawa Mokkougei Hira Workshop, traditional wooden buckets are adapted to modern life and expanded through collaborations with other fields.
Japanese Craft Glossary
What Makes Nambu Ironware So Beautiful? The Stories and Functions Hidden in Its Patterns and Colors
The article explores the design appeal of Nambu ironware, inspired by encountering teapots in a Tokyo kitchenware district. It introduces the functional beauty of Arare patterns, the meanings behind auspicious motifs, and the innovation of colorful designs prompted by requests from France.
Seeking the Artisans
A 400-Year Revolution in Tsugaru-Nuri: The Challenge of 'Translucent Tsugaru-Nuri' to Illuminate the Future of Traditional Crafts
“Transparent Tsugaru-nuri” reveals the hidden brilliance of raden through light. This new expression in the traditional craft of Tsugaru lacquerware overturns its conventional image of deep, opaque finishes.
Seeking the Artisans
A Fusion of 150 Years of Tradition and Innovation: The World-Renowned "Fukiwake" Technique of Hannya Chuzo Foundry
In 2023, a cast metal work using the “Fukiwake” technique, where two metals blend together, was acquired by the Smithsonian. Created by Hannya Chuzo Foundry in Takaoka, Toyama, it reflects over 150 years of tradition and innovation recognized worldwide.
Crossing Perspectives
My adventure at the SHIGARAKI CERAMIC CULTURAL PARK（Catherine GIANOLA）
The article recounts her experience in an artist-in-residence program at the Shigaraki Ceramic Cultural Park. Through production, firing, and interaction with international artists, she deepened her understanding of Japanese aesthetics such as “ma” (emptiness) and the acceptance of natural unpredictability in materials.
Japanese Craft Glossary
The Design Philosophy of Tosa Forged Blades and How to Choose Them
The article explores the aesthetics and philosophy behind Tosa Uchihamono, focusing on three finishes—kurouchi, migaki, and Damascus—starting from an encounter with a rugged knife in a Kochi workshop.
Japanese Craft Glossary
The Making of a Single Sheet of Washi: The Process and Artistry Behind Echizen Washi
A single sheet of washi is created through many complex processes and careful decisions by craftsmen. Natural materials are transformed into paper through time-intensive manual work. This article follows the production process of Echizen washi step by step and explains the role of each stage.
Japanese Craft Glossary
Following the 7-Step Journey: How Stone Transforms Into Fiery Art
Wakasa agate craftsmanship from Obama City, Fukui Prefecture, is a traditional craft made from hard stone. Its color and brilliance are not natural but achieved through skilled techniques and multiple processes. This article explains the seven steps that transform raw stone into a finished work.
Japanese Craft Glossary
Engraving Light: The Making of Edo Kiriko, How Glass Becomes a Traditional Craft
The article introduces the production process of Edo Kiriko, inspired by a beautifully cut glass seen in a shop. It explains the detailed steps from design marking to polishing and highlights the years of training required for craftsmen.
Seeking the Artisans
Only Two Weavers in Japan Produce "Shike Silk"—Matsui Kigyo's 6th-Generation Owner Weaves a New Future for Silk
Matsui Kigyo, based in Johana, Toyama, has preserved the tradition of rare shike silk made by two silkworms for 148 years. The company is expanding its applications into interior and beauty fields while creating new value from its traditional techniques.
Japanese Craft Glossary
Understanding the Basics of Echizen Washi: A Portrait of 1500 Years of History, Innovation, and Global Recognition
Echizen Washi from Fukui Prefecture has a history of about 1,500 years and is used across fields from art to advanced technology. Its existence is recorded as early as the Nara period, and it has developed through materials, techniques, natural conditions, and local beliefs. It has been used for official documents, currency, art, and even space-related applications.
Seeking the Artisans
Bringing Arimatsu Shibori to the World: The Unique Value Created by Artisans at Shibori-Dyeing Kuno-Studio
Tatsuya Arai of Kuno Dyeing Factory Co., Ltd. shares the history, appeal, and unique value of Arimatsu Shibori as a one-of-a-kind textile tradition. By adapting techniques once used primarily for traditional Japanese garments to clothing and interior products, and through collaborations with brands in Japan and abroad, he is expanding the possibilities of this centuries-old craft.
Japanese Craft Glossary
The Journey of Iyo Mizuhiki: How a Simple Sheet of Paper Becomes the "Art of Knotting"
When engaged in architecture or product design, one often becomes curious about how forms are made. Iyo Mizuhiki, a traditional Japanese craft, is built upon a highly rational and meticulous production process despite its delicate and decorative appearance.
Seeking the Artisans
Satake Glass Continuing Since Before the War—Craftsmanship in Soft "Izumi Glass"
Izumi Glass, a soft-type traditional craft developed after modern glass technology was introduced to Japan, is explored through an interview with Yasuhiko Satake of Satake Glass. The article covers its role in the imitation pearl industry, production methods, the shift to individual demand, and challenges such as the decline in artisans.
Seeking the Artisans
A 400-Year Tradition Protected by Generations in Iwate: Nambu Kodai Katazome
Nambu Kodai Katazome, a dyeing technique from Morioka City, Iwate Prefecture, has a history of over 400 years. Its patterns, once used on samurai garments, are preserved by Ebisuya Onosensaisyo. All processes, from stencil carving to dyeing, are still carried out by hand.
Seeking the Artisans
The Sole Successor Preserving 300 Years of Tradition: The Timeless Brilliance of "Wakasa Agate Craft" at Sosuke Kobo
Soichiro Uenishi of Sosuke Kobo, the sole successor of Wakasa Agate Craft, entered the world of traditional craftsmanship after returning to his hometown and has inherited a technique with a history spanning nearly 300 years. While continuing to create works that highlight the natural beauty of agate, he is also working to revive the region through initiatives such as the launch of the new brand, MENOU.
The Future Map of Crafts
Urushi Art × Future: Who Is Keisuke Sano, the Young Urushi Artist Creating "Enigma" with Techniques from 1,000 Years Ago?
Based in Takasaki, Gunma Prefecture, lacquer artist Keisuke Sano creates original works using traditional Japanese lacquer techniques such as raden (mother-of-pearl inlay) and maki-e (gold and silver lacquer decoration), which have been passed down for more than a thousand years. While preserving these time-honored materials and techniques, he continues to explore new forms of expression, sharing his thoughts on the future and potential of Japanese craft.
Seeking the Artisans
Celebrating 140 Years: Why Tanaka Hat, a Long-Established Spring Hat Maker in Kasukabe, Saitama, Continues to Be Loved
This article introduces Tanaka Hat, a straw hat maker based in Kasukabe, Saitama Prefecture, that has been crafting straw hats since 1880, along with the work of its sixth-generation owner, Yu Tanaka. While preserving traditional handcrafted production, Tanaka Hat is building new connections with customers through a brand strategy that communicates the history and stories behind its craftsmanship.
Seeking the Artisans
Tradition Sewn into Every Stitch—The Challenge of Sisters Inheriting Edo Embroidery: Takahashi Shishuten
As third-generation successors to Takahashi Embroidery, sisters Mami Endo and Yuko Saito carry on the tradition of Edo embroidery by sharing different roles within the workshop. Alongside creating traditional embroidery for kimono, they are introducing the value of handcrafted craftsmanship to younger generations and international audiences through the development of new products such as Komamon.
![[No. 5 (Final Episode)] To Nurture, Challenge, & Surpass—The Endless Pursuit of Living National Treasure Mamoru Nakagawa](https://images.microcms-assets.io/assets/1775a3633c8b428d9f011c6a758a8a5c/8c41b139fbe746079fe79321be873ff9/001_5.png?w=430&fm=webp&dpr=2)
A Century of Craft, A Master's Voice
[No. 5 (Final Episode)] To Nurture, Challenge, & Surpass—The Endless Pursuit of Living National Treasure Mamoru Nakagawa
This interview explores the career and philosophy of Living National Treasure Mamoru Nakagawa. It focuses on his metalworking practice, his approach to innovation within tradition, and his efforts to pass on his craft.
Living Beside Tradition
Hisako Kubode of Shozu Shikko: Finding Her Own Unique Role
Hisako Kubode, who oversees public relations, sales, and international business at Shoto Shikko, moved to Ishikawa Prefecture after working as a nursery school teacher in Tokyo, embarking on a career in traditional craftsmanship. Balancing her work with raising four children, she draws on her personal experience and English-language skills to share the appeal of Japanese lacquerware with audiences in Japan and around the world.
Seeking the Artisans
Weaving the Future of Rattan Craft: Emerging Trends in Lattice Furniture that Brighten Everyday Life
Hideki Kiuchi, the third-generation head of Kiuchi Rattan Co., Ltd., carries on the tradition of rattan craftsmanship with meticulous attention to every stage of production, from selecting materials to manufacturing. Looking toward younger generations and international markets, he is opening up new possibilities for the craft by developing products such as uchiwa (traditional Japanese fans) and folding fans, while shaping the future of rattan craftsmanship.
Seeking the Artisans
Protecting the Dinner Table with 100% Natural Lacquer Wakasa-Nuri Chopsticks—Hyozaemon's Commitment to Authenticity
Hyozaemon Co., Ltd. continues the tradition of crafting Wakasa lacquered chopsticks with natural lacquer, guided by the belief that “chopsticks that go into your mouth are part of your food.” Through efforts to promote chopstick culture and encourage resource circulation, the company is working to preserve Japan’s food culture and traditional craftsmanship for future generations.
![[No. 4] Traveling the World & Discovering Beauty in Everyday Life—The Source of Ideas for Living National Treasure Mamoru Nakagawa](https://images.microcms-assets.io/assets/1775a3633c8b428d9f011c6a758a8a5c/ac32b0de8db14ba789b1f6bc1d7a029c/001_6.png?w=430&fm=webp&dpr=2)
A Century of Craft, A Master's Voice
[No. 4] Traveling the World & Discovering Beauty in Everyday Life—The Source of Ideas for Living National Treasure Mamoru Nakagawa
The article challenges the fixed idea that traditional crafts must only preserve old techniques, emphasizing the need to pursue contemporary beauty. Mamoru Nakagawa developed a unique style by combining inlay techniques with landscape expressions inspired by overseas experiences and observations of nature.
Seeking the Artisans
The Innovation of Nishijin-Ori Weaving & Hikibaku: The Timeless Journey of Rakugei Kobo Spreading from Old Gold Leaf Foil
Kohei Murata, the third-generation successor of Rakugei Kobo, carries on hikihaku—a traditional Nishijin weaving technique—while exploring new forms of expression that make use of the unique character of antique and fired foil. While preserving the essence of tradition, he embraces new technologies and collaborations across different fields, creating work that helps shape the future of Nishijin weaving.
Japanese Craft Glossary
Understanding the Basics of Tosa Uchi-hamono: Exploring the Functional Beauty Forged in 400 Years of Kochi's History
The author visited a workshop in Kochi Prefecture and witnessed the process of forging a blade. Through the sights and sounds of the workshop, the article conveys that tools reflect the history and lives of the people in the region. It introduces the background and value of Tosa Uchihamono.
![[No. 3] Learning from Repeated Failures—The Skills & Design Polished by Living National Treasure Mamoru Nakagawa](https://images.microcms-assets.io/assets/1775a3633c8b428d9f011c6a758a8a5c/441408311b934b34b0480ab703b08565/001_2.png?w=430&fm=webp&dpr=2)
A Century of Craft, A Master's Voice
[No. 3] Learning from Repeated Failures—The Skills & Design Polished by Living National Treasure Mamoru Nakagawa
Living National Treasure Mamoru Nakagawa spoke about the countless failures behind mastering the Kaga Zogan technique. Through repeated experimentation with metal coloring and chemical mixtures, he refined his craftsmanship and learned the importance of thinking beyond conventional values during his apprenticeship years.
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Crossing Perspectives
Japanese Shibori: Tradition Breathing Life into Craft, Stories Spun Towards the Future (Riddhi Jain)
Textile designer Riddhi Jain discovered Arimatsu Shibori through the 11th International Shibori Symposium, where she encountered Japan's craft philosophy and the dedication of its artisans. At STUDIO MEDIUM, she reinterprets Japanese shibori and Indian Bandhani in a contemporary way while exploring the future of craft and the challenges of passing on traditional techniques.
Japanese Craft Glossary
Understanding the Basics of Iyo Mizuhiki: Unraveling the History and Evolution of the Japanese Spirit of Giving
I recently attended the wedding of a close friend. The gift envelope I carried was adorned with a beautiful crane made from red-and-white mizuhiki cords. More than a decoration, its delicate form seemed to reflect the giver's heartfelt wishes. What do these beautiful cords symbolize, and what story lies behind them? This article explores the world of mizuhiki, a traditional craft found at many of life's important milestones.
Japanese Craft Glossary
Understanding the Basics of Hasami-yaki: What is the Appeal of this Stylish and Versatile Porcelain?
The author encountered Hasami ware through a piece admired for its smooth whiteness and lightness in a lifestyle shop. While popular as stylish tableware, questions arise about how it differs from Arita ware and what defines its appeal.
Crossing Perspectives
A three-sided approach to prevent traditional crafts from vanishing (Nicolas Soergel)
Nicolas Soergel of Chinriu Honten Co., Ltd. promotes Japan’s traditional industries to a global audience through NIHON ICHIBAN, a brand dedicated to international markets. Pointing to challenges such as a shrinking domestic market and the shortage of successors facing traditional businesses, he shares his vision for supporting succession and creating systems to nurture the next generation of artisans.
Japanese Craft Glossary
Understanding the Basics of Nambu Tekki: Why Is It Loved Across Generations? The Functional Beauty of a 400-Year-Old Craft
In a time when many products are consumed quickly, the article highlights the value of using tools over generations. It explains the history, functionality, and regional background of Nanbu Tekki, which has been developed in Iwate for over 400 years.
![[Ceramics & Porcelain] – What’s the Difference? A Guide to Distinguishing Everyday Tableware & Appreciating Its Deep Appeal](https://images.microcms-assets.io/assets/1775a3633c8b428d9f011c6a758a8a5c/83b3d22ff5fd4fc986c6a600e52c8092/u6579618523_A_rustic_earthy-toned_pottery_vessel_next_to_a_sm_59c32639-14ff-4328-ba6f-6208e3ae223c_0.png?w=430&fm=webp&dpr=2)
The Outline of Crafts
[Ceramics & Porcelain] – What’s the Difference? A Guide to Distinguishing Everyday Tableware & Appreciating Its Deep Appeal
This article explains the differences between pottery and porcelain in terms of their raw materials, production methods, appearance, texture, and sound. It also explores the unique appeal of each—from the beauty of pottery's aging process to the practicality of porcelain—while introducing some of Japan's best-known ceramic-producing regions.
Japanese Craft Glossary
Understanding the Basics of Edo Kiriko: A Traditional Beauty that Brings Brilliance to Everyday Life
This article explores the history and development of Edo Kiriko, its distinctive light-reflecting cutting techniques, and the meanings behind its traditional patterns. It also highlights the craft's value and appeal through the artisans' meticulous handwork and its evolution to suit modern lifestyles.
The Outline of Crafts
The Art of Mizuhiki Knots & Their Meanings – A Traditional Japanese Craft that Conveys the Heart
Mizuhiki is a traditional Japanese craft with origins dating back to the Asuka period. The way its cords are tied, along with their colors and number, expresses the giver's wishes and thoughtfulness. The techniques passed down in Iida, Nagano Prefecture, have expanded beyond gift-giving traditions into contemporary life through accessories, art, and other creative forms.
Japanese Craft Glossary
Understanding the Basics of Wakasa Agate Craft: An Invitation to the World of Miraculous Red, Born from "Yaki-ire" Firing
Wakasa Agate Craft, a traditional craft from Obama, Fukui Prefecture, is known for its closely guarded firing technique that turns agate a vivid red. Tracing its 300-year history, the changing use of materials, and its ties to local culture, this article also introduces the current state of the craft, now preserved by only a single remaining artisan.
Seeking the Artisans
Wearing 400 Years of Tradition, Aizu Cotton Challenges the World
Harappa Co., Ltd. carries on the techniques of Harayama Textile Mill, founded in 1899, creating products that bring Aizu Momen—a traditional cotton textile with a history spanning some 400 years—into contemporary life. While preserving its distinctive striped patterns and the craftsmanship of skilled artisans, the company also embraces new designs, sharing the appeal of Aizu Momen with audiences in Japan and around the world.
![[No. 2] Life Is Like a Marathon—What "Living National Treasure" Mamoru Nakagawa Learned from Balancing Work & Craft](https://images.microcms-assets.io/assets/1775a3633c8b428d9f011c6a758a8a5c/a452dbc38c074ad49129522ecea5759d/001_4.png?w=430&fm=webp&dpr=2)
A Century of Craft, A Master's Voice
[No. 2] Life Is Like a Marathon—What "Living National Treasure" Mamoru Nakagawa Learned from Balancing Work & Craft
Mamoru Nakagawa, a Living National Treasure, described his work as an industrial designer and his training in crafts as far more demanding than one might imagine. Looking back on those days, he reflects that “life is like a full marathon.”
Seeking the Artisans
The Craftsmanship of the Time-Honored Black Bird Forge: Razor-Sharp Tosa-Uchihamono Blades
Kurotori Forging Workshop preserves the approximately 150-year-old tradition of Tosa forged blades while crafting knives tailored to the needs of each individual user. Through its dedication to freehand forging and heat treatment, as well as the development of new products and hands-on workshop experiences, the workshop is committed to carrying this tradition into the future.
Seeking the Artisans
A Hymn to Nature Woven into Eternal Wisteria: The Natural Song of Yushisha
Masao Koishihara of Yushisha is dedicated to preserving and passing on the tradition of fujifu—a textile once known as the “phantom fabric”—through the creation of obi woven with wisteria fiber. While carrying forward an ancient weaving tradition rooted in harmony with nature, he is nurturing the future of fujifu through tree-planting initiatives and community engagement.
Crossing Perspectives
Discovering the Soul of "Made in Japan" (Jonathan Barnabe)
While working at Mizutori Industry Co., Ltd., a traditional geta manufacturer in Shizuoka, Jonathan Barnabe has encountered the craftsmanship of artisans across Japan. Reflecting on the spirit of Japanese craftsmanship and the value of “Made in Japan,” he also shares his concerns about the shortage of successors in traditional crafts and his hopes for preserving these skills for future generations.
Seeking the Artisans
Skill, Spirit, & Support – A Multifaceted Look into the “Now” of Japanese Crafts
Thank you as always for reading Artisan.We are pleased to announce the launch of three new content series that take a multifaceted look at Japanese crafts through the lenses of skill, spirit, and the support behind its heritage.
The Future Map of Crafts
Sculpting Everyday Beauty Through Dimensional Embroidery: The Eclectic Charm of Momoka Ienaga
Embroidery artist Momoka Ienaga merges British stumpwork and Japanese embroidery to express everyday motifs in three dimensions. Raised in an industrial dyeing family, she creates narratives of daily life through needle and thread.
![[No. 1] From Electronics Manufacturer Employee to the Pinnacle of Traditional Crafts—Mamoru Nakagawa, Leading Kaga Zogan Expert & Living National Treasure, Shares His Life Story](https://images.microcms-assets.io/assets/1775a3633c8b428d9f011c6a758a8a5c/bf8dd7ccd2684a0f9de2dce55de5d8cb/001_3.png?w=430&fm=webp&dpr=2)
A Century of Craft, A Master's Voice
[No. 1] From Electronics Manufacturer Employee to the Pinnacle of Traditional Crafts—Mamoru Nakagawa, Leading Kaga Zogan Expert & Living National Treasure, Shares His Life Story
This article features Mamoru Nakagawa, a Living National Treasure and leading figure of Kaga Zogan in Ishikawa. It explores his transition from working at an electronics manufacturer to entering the world of traditional crafts and his evolving philosophy on creation.
Living Beside Tradition
As a Wife, Mother, & Supporter of Traditional Craft—Sayaka Ikeda of the Ikeda Kasuri Textile for Kurume Kasuri
This article introduces Sayaka Ikeda, the wife of the fourth-generation head of Ikeda Kasuri Workshop and its producer and director. After marrying into the family, she entered the world of Kurume Kasuri, supporting the workshop while balancing her work with raising children. Valuing the consumer's perspective, she is also exploring ways to carry Kurume Kasuri into the future by adapting it to contemporary lifestyles.
Seeking the Artisans
Skill, Spirit, & Support – A Multifaceted Look into the “Now” of Japanese Crafts
Thank you as always for reading Artisan.We are pleased to announce the launch of three new content series that take a multifaceted look at Japanese crafts through the lenses of skill, spirit, and the support behind its heritage.
Seeking the Artisans
430 Years of History – Hakata-ori Textile's Oldest Weaver, "nishimura orimono," Challenges the Future of Traditional Crafts
Soichiro Nishimura, the sixth-generation head of Nishimura Textile, the oldest Hakata-ori weaving house, carries on a legacy of craftsmanship and history spanning more than 160 years. Alongside producing traditional obi, he is expanding the possibilities of Hakata-ori through collaborations with architecture and contemporary art, opening new paths for this historic textile tradition.
Crossing Perspectives
The Key to Illuminating the Future of Japanese Craftsmanship: The Inheritance of the "Takumi" (Steve Beimel)
Steve Beimel speaks about the spirit of Japanese craftsmanship and the cultural value of Japanese crafts, while warning of the growing threat posed by the declining number of artisans. Through JapanCraft21, he supports the training of future craftspeople and the revitalization of traditional techniques, working to ensure that Japan’s craft heritage is passed on to future generations.
Seeking the Artisans
Fusion of Traditional Japanese Aesthetics & Artisan Sensibility: The History of Kaga Yuzen as Preserved by Maida Senga Kogei
Maida Senga Kougei, a studio in Kanazawa, Ishikawa Prefecture, produces Kaga Yuzen textiles through a fully in-house process, creating works with a strong emphasis on research and live sketching. While preserving these traditional techniques, Hitoshi Maida is also exploring new applications beyond kimonos, such as Yuzen art panels and decorative glass.
Seeking the Artisans
From Unsung Heroes to a Playful Textile World: The Challenge of Banshu-ori Weaving & Maruman Co., Ltd.
Based in Nishiwaki, a major Banshu-ori textile region, Maruman Co., Ltd. leverages its high-quality jacquard technology to develop its in-house brand "POLS" and material brand "MARUMAN JACQUARD." Through creative textile expressions and collaborative craftsmanship across the region, the company aims to generate new value for Banshu-ori and pass the tradition on to the next generation.
Seeking the Artisans
Nishijin Okamoto Weaves Together Japan's Tradition & the Soul of Craftsmanship in Nishijin-ori Weaving
Keiji Okamoto and Ema Okamoto of Nishijin Okamoto talk about the history and techniques of Nishijin Kinran weaving, a craft passed down through four generations. While preserving traditional weaving methods, they are incorporating digital technology and active communication to build a sustainable future for artisans and the entire production region.
Seeking the Artisans
What Is the Value of Gold Leaf Unique to the Modern Age? The Endeavors of the Third President of Hakuza, Known for the Manufacture & Processing of Gold Leaf
Mina Takaoka took over her family’s gold leaf business, actively working to build a sustainable production system and pass down artisan craftsmanship. While re-evaluating the historical value of gold leaf, she aims to create modern relevance through new ventures like "Haku WORKS" and international expansion.
Seeking the Artisans
The Traditional Techniques of Tosa Washi & the Allure of Ultra-Thin Washi that Captivates the World
Hiroyoshi Chinzei, CEO of Hidakawashi Co., Ltd., shares the history and manufacturing process of Tosa Tengujo Paper, a craft preserved for over 50 years. Recognized as the world's thinnest handmade paper and widely acclaimed in the field of cultural property restoration, the company is also taking on the challenge of exploring new artistic expressions and applications.
Seeking the Artisans
Reviving a Fading Tradition: Tokyo Matsuya's Challenge to Connect to Edo Karakami
Rihei Ban, the 18th-generation head of Tokyo Matsuya Co., Ltd., and Karakami master Yuya Takasugi discuss their efforts to revive and preserve Edo Karakami—a craft that was once on the verge of being lost. Through rediscovering traditional patterns and training craftsmen in their own studio, they continue their mission to pass Edo Karakami on to the next generation.
Crossing Perspectives
From France to Osaka: The Story of a Blacksmith Passing on the Traditions and Charm of Sakai (Eric Chevallier)
After moving to Japan from France, Eric Chevalier apprenticed under Yasuhiro Hirakawa, a master blacksmith in Sakai, becoming the first foreigner to complete a full five-year blacksmithing training program. Today, while running his own brand, "De Sakai," he actively promotes Sakai cutlery and traditional Japanese culture both in Japan and abroad.
Seeking the Artisans
"Hatakeyama Shippou" Creates Translucent Tokyo Cloisonné Art
Hiroshi Hatakeyama, head of Hatakeyama Cloisonné Studio in Arakawa Ward, Tokyo, creates works using over 200 shades of enamel glaze and the plique-à-jour (totai) technique, all while preserving the tradition of Tokyo Cloisonné. Carrying on the history and craft of Tokyo Cloisonné—which has also been applied to industrial products—he continues to take on new challenges in artistic expression and public outreach.
Seeking the Artisans
Fabrics Specialist Takeuchi Hiroshi Shoten Aims to Reintroduce Domestic Textiles
Ryo Takeuchi, representative of Takeuchi Hiroshi Shoten, connects dye houses and production hubs as a fabric wholesaler while sharing the charm of Chita cotton through a concept store and his brand, "WATAKUMI." Capitalizing on the characteristics of traditional unbleached white cotton, he works to reintroduce it through products suited for modern lifestyles.
Seeking the Artisans
The 8th Generation of Kobeigama, Ryotaro Kato, Inherits Momoyama Ceramics While Introducing a New Breeze
Ryotaro Kato, the 8th-generation head of the historic Kobei-gama kiln, embodies the pioneering spirit deeply rooted in Mino ware through his work with Momoyama-style ceramics and wood-firing anagama kilns. Drawing on his studies in Kyoto and his calligraphy practice, he explores new artistic expressions that integrate modern sensibilities while remaining grounded in tradition.
Seeking the Artisans
The Vibrant World of Colors & Stunning Impact: Nakaya Pile
Yoshihisa Nakaya, head of Nakaya Pile, leverages the traditional Kinkazan weaving techniques of Hashimoto City, Wakayama Prefecture, to manufacture textiles for home interiors and vehicle upholstery. By blending traditional Japanese weaving craftsmanship with Western design concepts, he is actively exploring new markets, including outdoor gear.
Crossing Perspectives
Bridging Cultures with Yuzen: Traditional Techniques & Vision for the Future (Tulika Ranjan)
Textile researcher Tulika Ranjan explores Yuzen dyeing out of a passion for Japanese textile culture, studying its history, techniques, and regional characteristics. Through the Kyo-Yuzen Saree Project and field interviews with artisans, she views Yuzen as a meaningful medium for cultural exchange and future preservation.
Seeking the Artisans
Creating New Value for Ako Dantsu: Trumpet Instructor Kazuko Ikegami Takes on Tradition & Innovation
Kazuko Ikegami, who operates Ako Dantsu Workshop Gallery Higashihama, continues to craft and promote Ako Dantsu rugs, preserving the value of the art form inherited from her grandmother. While upholding traditional auspicious patterns and techniques, she is taking on new challenges to expand her product line and share this craft with younger generations and international audiences.
Seeking the Artisans
In a Historic Artisan Village, Ryusen Kiln Creates Never-Before-Seen "Tobe-Yaki" Ceramics
As the head of Ryusen-gama, a historic Tobe ware kiln, Asato Ikeda crafts unique works through thin, sharp forms and experimental firing, all while honoring traditional techniques. Through continuous research into glazes and wood-firing anagama kilns, he is actively taking on new challenges to pioneer new expressions in Tobe ware and expand into international markets.
Seeking the Artisans
From Roof Tiles to Sauna Stones: The Challenge of Koizumi Seigawara to Connect "Kikuma-Gawara" Tiling to the Next Generation
Imabari City, Kikuma Town in Ehime Prefecture, is the birthplace of "Kikuma-gawara," a rooftiling stile known for its elegant silver luster.
Seeking the Artisans
Enriching Hearts with Imabari Towels: The Challenge & Future of Kusubashi Mon-Ori as the 100th Anniversary Approaches
Isao Kusunashi, President and CEO of Kusunashi Monori Co., Ltd., reflects on Imabari towel's journey and his company's legacy of innovation passed down from its founder. The discussion highlights their 100th-anniversary initiatives, including new bio-refining technology driven by R&D and the launch of their original brand, "ROYAL-PHOENIX OF THE SEAS."
Seeking the Artisans
A New Form of Mizuhiki Knot-Tying: Learning from Aritaka Senzando, Established in 1930, and Their Artistic Challenges
Colorful masks that catch the eye with their captivating presence.
Seeking the Artisans
A Fusion with European Traditional Techniques: The New Value of "Ozu Washi" from Ikazaki Shachu
"Ozu Washi," handed down in Ikazaki, Uchiko, Ehime Prefecture, is a traditional form of paper that traces its history back 350 years to when it thrived as a source of income for the Ozu Domain.
Seeking the Artisans
A Timeless Relay Spun since the Edo Period: Mafu Okai
Mafu Okai started as a wholesaler of handwoven Nara Sarashi, later establishing its own brand.
Crossing Perspectives
Japanese crafts: Kurume Kasuri and textile networks (Vera Bracklo)
My first encounter with Japanese crafts was in 2019 when I studied as an exchange student at Hiroshima City University.
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Seeking the Artisans
The Art of Giving Life to Wood: The Passion & Craftsmanship of Shozu Shikko
A wine glass characterized by its captivatingly beautiful wood grain.
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Seeking the Artisans
Facing the World with a Blade: A Closer Look at the Blade Crafting of Hinoura Hamono Koubou
With sickles, hatchets, and kitchen knives... this is Tsubame-Sanjo in Niigata Prefecture, known as a town of metalwork.
Seeking the Artisans
Colorful "Hasami-yaki" Ceramics & the Artisan Skills Behind It: Koshungama
The ceramics made in the vicinity of Hasami Town in Nagasaki Prefecture are referred to as "Hasami-yaki.
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Seeking the Artisans
Showcasing Sakai City to the World with Unparalleled Technology: Takeno Senko
Takeno Senko started as a wholesale fabric manufacturer specializing in roll printing before launching its own factory brand.
Crossing Perspectives
Between tradition and creation, a French designer in Japan (Mathilde Roseanne Bregeon)
FIRST STEPS IN JAPANWhen I’m asked what made me love Japan, I think back to a few episodes from my childhood.
Seeking the Artisans
"Horiguchi Kiriko" Evolves & Weaves Edo Kiriko into the Next Generation
Known far and wide, "Edo Kiriko" is a traditional Japanese craft that has continued since the Edo period.
Seeking the Artisans
Chasing the Evolution of Echizen Lacquerware: The Innovation of Tradition & Modern Technology by Shitsurindo
In the Fukui Prefecture, particularly around Sabae City, the lacquerware produced is known as "Echizen lacquerware.
Seeking the Artisans
3D Luster Weaving the Light & Shadows: "kuska fabric"
Formerly a wholesaler for Tango Chirimen textiles, kuska fabric has rebranded and relaunched.
Seeking the Artisans
Pursuing Beauty & Comfort: Komiya Shoten's Umbrellas, Imbued with Passion of an Artisan
Rainy days often bring on a feeling of gloom. But with a favorite umbrella, not only can your spirits lift, you might even find yourself looking forward to rainy days.
Crossing Perspectives
Noh Past, Noh Present, Noh Future? (John Oglevee)
As an actor in New York in the 1990’s, I was involved in the downtown scene where narratives were being discarded for more atmospheric expressions of performance.
Seeking the Artisans
100% Made in Sabae City Eyewear: NOCHINO OPTICAL
Fukui Prefecture stands among Italy, China, and South Korea as a major eyewear production hub.
Seeking the Artisans
Launch of the Artisan Official YouTube Channel!
Announcing the start of Artisan’s YouTube channel!
Seeking the Artisans
The 137-Year History of Ryukobo & the New Challenge Rooted in the Spirit of "Iki"
Soft cords, hard cords, rough cords, smooth cords. There are even cords that glow in the dark and those that have tubes running through them.
Seeking the Artisans
Handcrafting the Details: The Creation of Hand-Planted Brushes Using Traditional Techniques
Brushes are everyday tools used in various aspects of our lives, including cleaning and maintenance.
Seeking the Artisans
Passing on Traditional Techniques: The History of "Ryukyu Bingata" Woven by the Chinen Bingata Lab
Bingata, designated as an Important Intangible Cultural Property of Japan, is a traditional dyeing technique alongside Yuzen dyeing and Komon dyeing.
Seeking the Artisans
The Colorful Kasuri that Exemplifies Island Nature & Climate: Getting into "Yaeyama Minsah-ori Weaving" Azamiya Co., Ltd.
The clear blue sea and lush greenery span across Ishigaki City, Okinawa Prefecture.
Crossing Perspectives
Handmade Washi Challenges : Crafting Through Modern Times (Emilie Even)
In 2008, I visited Kamiji Kakimoto, a renowned paper shop in Kyoto that sells hundreds of beautiful Japanese papers "washi".
Seeking the Artisans
The Rigid Beauty Hosting the Sea's Sparkle: Tamiya Raden
Raden refers to a type of decoration applied to lacquerware, using shells like nacre to create a shimmering beauty.
Crossing Perspectives
Sacred Paper (Allan West)
There are certain materials that a traditional Japanese Nihonga painter absolutely cannot do without.
Seeking the Artisans
Continuing to Create Boxwood Combs for Daily Life: The Charm of Boxwood Combs as Perceived by an Edo Craftsman
A comb with a warm yellow tint. It feels surprisingly familiar in your hand and glides smoothly through your hair.
Seeking the Artisans
Shuri Textile Museum "suikara": Passing On the traditions of Ryukyu Bingata & Shuri-Ori Weaving to the Future
Located in the Shuri district of Naha City, Okinawa, Shuri Textile Museum "suikara" serves as a facility dedicated to passing on the two traditional crafts of Ryukyu bingata and Shuri-ori cloth to the next generation.
Seeking the Artisans
Expanding a 1300-Year Tradition: The New Possibilities of Tatami - Hajime Yamada Tatami Store
Tatami is a unique element of Japanese traditional culture, once an essential part of Japanese homes.
Seeking the Artisans
"Motono Hakimono Industry" Creates Modern Hita Geta that Suit Contemporary Lifestyles
Located in Hita City, Oita Prefecture, which along with Fukuyama City in Hiroshima Prefecture and Shizuoka City in Shizuoka Prefecture is regarded as one of the three major production areas for geta.
Seeking the Artisans
Pursuing Concepts to the Millimeter: The Appeal of Tokyo Tegaki Yuzen as Observed by Atelier Ogura Sengei
The intricate design and deep hues that draw you in.
Crossing Perspectives
Rediscovering Japanese Textile Treasures: A French Designer's Journey (Clémentine Sandner)
Mesmerized at First GlanceI will never forget the first time I saw an authentic Japanese kimono at a flea market in Tokyo.
Seeking the Artisans
Connecting Delicate Craftsmanship to the Future: " Uchiwa-no Otaya"
"Uchiwa" (referring to a round hand fan) is a stylish summer tradition that continues to enjoy enduring popularity in our daily lives.
Seeking the Artisans
Passing on Satsuma Tinware's Traditional Craftsmanship to the Next Generation – the Past & Future of the Crafts Museum "Satsuma Suzuki Kougeikan"
Tin, a metal that is easy to work with and is not harmful to the human body, has been used for centuries in the production of eating utensils and crafts.
Seeking the Artisans
The Ultimate Touch Created by Ultra-Fine Threads: Muto Corporation
Known for their beautiful quality and soft texture, Muto Corporation's products range from fashion to interior decor, spinning a diverse array of threads from the world's thinnest to the thickest under the motto "You'll know when you touch it.
Seeking the Artisans
The Leather Crafted by a Long-Established Tanner in Himeji, the Hometown of Leather: Sanyo Leather Co., Ltd.
Sanyo Leather Co., Ltd. is a tanner (leather manufacturer) with its headquarters and factory located in Himeji City, Hyogo Prefecture.
Crossing Perspectives
Indigo and Japanese crafts inspire me (Sally Hancox)
Japan holds a deep respect for crafts and the artisans who continue traditions and I think that’s great.
Crossing Perspectives
An unexpected journey (Rudge Jeff)
My name is Jeff. I have been a lantern maker in Ibaraki for the past seven years.
Crossing Perspectives
Japanese Arts and Culture at a Crossroads – by David Stanley Hewett: Preserving and Evolving Japanese Traditions as Sources of National Identity (David Stanley Hewett)
David Stanley Hewett discusses the preservation and continuation of Japanese culture and traditional crafts as an essential part of national identity. Over more than 30 years in Japan, he has traveled across the country, engaging with artisans and artists while developing his own creative practice. His collaborations with Wajima lacquerware artisans and Sakai Glass also incorporate traditional Japanese craftsmanship into contemporary artworks.
Seeking the Artisans
Challenging Tradition While Preserving Japanese Umbrella Culture: "Kasabiyori"
Gifu City in Gifu Prefecture is Japan’s largest production area for Japanese umbrellas, dating back to the Edo period.
Seeking the Artisans
"Surpassing Embroidery with Embroidery" The Unique Techniques of Miki Sisyu Kougei Co., Ltd. that Support Global Fashion Brands
Embroidery is an indispensable technique for decorating clothing.
Seeking the Artisans
Technical Skill & Creative Ideas Supporting Domestic Sock Manufacturing from "SOUKI"
Nara Prefecture is famous as "Japan's No.
Seeking the Artisans
Introducing 'Artisan' - A New Project Connecting Japanese Crafts to the Future
Fashion Tech News launches a new project, ‘Artisan’.
Seeking the Artisans
Challenges Faced by Igarashi Seishi in Preserving the Papercraft Tradition of Echizen Washi
Echizen Washi has a long history of 1500 years. Papermaking artisans of Echizen have continued to develop various techniques in accordance with the changes in times while inheriting the old and high craftsmanship.
Seeking the Artisans
Preserving the History of Nagasaki Tortoiseshell with Unique Techniques: 'bekkoanryu'
Tortoiseshell crafts, made skillfully from turtle shells, claws, and plastrons, have a history of over 300 years.
Seeking the Artisans
The 5th Generation Takes the Helm at Ishizuka Senko: A New Era for Finely Patterned Edo Komon
Located in Hachioji, Tokyo, Ishizuka Senko Limited.
Seeking the Artisans
Unraveling Chichibu's Traditional Crafts with Apparel Brand 'REINA IBUKA'
Located in the northwest of Saitama Prefecture, the Chichibu area is surrounded by breathtaking natural beauty.
Seeking the Artisans
Honing Their Skills at 120-year-old 'Fukagawa Glass'
Glass tableware used in homes and restaurants is a common sight.
Seeking the Artisans
The Journey of the Unknown Knitting Factory 'Sato Seni' to Global Recognition
When the weather gets chilly, we yearn for woolen products.
Seeking the Artisans
Working on Natural Cycle Production at Kameya Natural Plant Dye Studio
Many of the colorful clothing and fashion accessories we see near us are dyed using chemical dyes (synthetic dyes).
Seeking the Artisans
Kinsai Ueda: Pursuing the Potential of Traditional Techniques Beyond the Kimono
"Kinsai" is a decorating technique where gold and silver foils, gold dust, and other materials are glued down.
Seeking the Artisans
The Diverse Expressions and Appeal of Denim as Woven by Shinohara Textile
Most people are likely to own at least one piece of clothing made from denim.
Seeking the Artisans
The Pride of Artisans Continuing Traditional Techniques: Ikeda Kasuri Textile
Kurume Kasuri textiles, dyed with authentic natural indigo, captivates with their unique texture.